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Kasra Goodarznezhad
KEY WORDS
events, work, nice, installation, people, change, artist, shit, punk, feel, happening, space, project, live, describe, classical guitar, Iran, hope, started
Kasra Goodarznezhad draws on experiences of discontent in both Tehran and Toronto to depict moments of release. His work offers the potential for either hope or profound disappointment, and the audience is often left unsure of which they are meant to feel.
His artistic production attempts to narrativize moments in time. As a curator, he prefers art and artists that offer the potential for release.
As an organizer, he manifests new ways to undermine the hegemony of oppressive structures. Some efforts persist while others release violently allowing energies to be leveraged elsewhere.